It was honestly quite difficult for me to come up with an “Easter” drawing. When I hear “Easter,” I think of eggs, grass, and pastel colors. However, in the context of Catholicism, I see the cross with a shining bright light behind it. That’s it? I can’t just submit a simple drawing of a cross. So I pondered what did the cross on Easter mean to me.
Easter is the season that comes after Lent. The season of Lent is the time Jesus spent 40 days in the desert. Likewise, we spend 40 days in the desert, either by giving up something for Lent or by doing something good more for Lent. Whatever we do for Lent, it should be something that can help us become closer to God. When Lent ends, we emerge from the desert and head towards the Easter Triduum.
In my art piece, the Nghĩa Sĩ girl and Ấu Nhi boy are finally coming out of the desert and towards three crosses, the middle cross with a piece of white cloth. (The white cloth is to represent Easter.) The three crosses represent Good Friday, the day Jesus died for us on the cross for our sins. When I think of Good Friday, I think of the 14 Stations of the Cross, which has a very special meaning to me that I also do not fully understand myself. During the silent retreat in January, my spiritual director told me to pray and meditate on the crucifixion. The 14 Stations of the Cross has had a special place in my heart ever since my first silent retreat in December 2014 and have become more obviously important to me after this recent silent retreat. The only thing I know for certain is that my feelings on the crucifixion are indescribable.
The Nghĩa Sĩ girl is walking towards the three crosses. Nghĩa Sĩ is the age when you are first learning more about yourself and establishing yourself from your peers. This is the life stage when you want to be a unique individual, but at the same time, fit in and have friends. It’s when you navigate through high school and all the confusion of who you are. The Nghĩa Sĩ girl is walking towards Jesus, towards hope. I hope all kids in Nghĩa Sĩ find themselves turning to God and know that God is always with them, despite the doubts and questions they may have.
The Ấu Nhi boy is holding onto the Nghĩa Sĩ girl’s arm. He is confused and is depending on the Nghĩa Sĩ girl on where to go next. She is leading him as an example. I currently teach Ngành Nghĩa Sĩ at my Đoàn and I hope that they all know that they are often looked up to by the younger kids, Ngành Thiếu, and Ngành Ấu. In addition, the Ấu Nhi boy represents innocence, which contrasts with the Nghĩa Sĩ girl’s faith journey. When we are younger, it’s so much easier to pray because we have not seen the horrors of the world. When we are older and have been through so much pain, it could be difficult to pray. Despite this, the Nghĩa Sĩ girl still turns to God and the Ấu Nhi boy follows. We should all follow her example. When it is most difficult to pray, that is when it is most important to pray.
I imagine the two as siblings. Whether as blood-related siblings or brother and sister-in-Christ, these two are close to each other.
This concept was the first one that I drew and came up with. At first, I was unsure of what the meaning was and did not like how hard for people to understand its meaning (if it even had one). I drew up other concepts, which all stopped mid-way because I didn’t have any clue of what I was trying to draw. In the end, I came back to this original concept and just embraced it. I trusted God that this idea was the one that should be published.
I had hope that God will lead me on the right path with this drawing. I hope you all feel a sense of hope when you look at this art piece.